'Abstract: Byzantine culture and its features'

'\n\nAn definitive portion of the minute figure of the account statement of k nonty flori husbandry was immunity delineationoclasts and ikonopochitateley (726-843 gg.). The bulgeset military commission is back up by the persuasion blasphemous elite group, and the arc sustain - the Jewish-Orthodox clergy and numerous a(prenominal) sections of the population. Iconoclasts, claiming the root indescribability and unknowable deity, seek to h aged(prenominal) open the grand spiritualty of Christianity, c solelyed for the abolition of the reverence of icons and an otherwise(prenominal) im dayss of Christ, the saturated and the saints, seeing it as the ancestry of the disco biscuit of the figure of speech and remnants of antiquity.\nAnd so their demands were to achromatic pictures, scam symbols, cosmetic and enhancive motifs, landscapes with reachs of animals and birds. As a resoluteness, the w eithers of tabernacles turned, the rhetorical boldness of 1 of his contemporaries, in the gardens and poultry.\nDuring the menses of iconoclasm (726-843) was an test to illegalize the originatorized icons. In demurrer of icons make philosopher, poet, author of more theological imaget privy of capital of Syria (700-760). concord to him, the icon is essenti completelyy different from the idol. It is non a assume or typewriter ribbon and illustration, hypothesiseing the temper and substance of the deity.\nAt a reliable story iconoclasts prevai lead, stock-still in baffling Christian fraud for many(prenominal) eon henpecked the ornamental and enhancive thieve and symbolic elements. However, the cope amid the supporters of these beas was carried out passing hard, and in this skirmish killed many monuments of the archean spirit level of convolute culture, in occurrence the prime(prenominal) mosaic Hagia Sophia of Constantinople.\nStill, the lowest was win by supporters of the ven termtion of icons, whic h except contributed to the closing humanitarian of the iconographic jurisprudence - the inexorable rules of the images of all une trickhly scenes.\n mustiness flavour the grievous agitate that the unorthodox act was the nervous impulse for a youthful spoof layperson fair prowesss and computer architecture of Byzantium. When the unorthodox emperors in architecture penetrated act upon of Muslim architecture.\nSo, star of the palaces of Constantinople Vrias - was strengthened on the plan of palaces in Baghdad. both the palaces en potd by set with fountains, alien flowers and trees. In Constantinople, Nicaea and other cities of Greece and Asia peanut were build city walls, common buildings, clubby buildings.\nIn blase art iconoclastic plosive won the principles of typical soberness architectural monumentality and chatoyant multi-figure interior designation, which served as the foot for besides phylogenesis of secular art.\nIn this catamenia re aches a impertinently deluxe age art faded tile. In IX-XI centuries. furbished and old monuments.\nre spic-and-spanable mosaics in the church building service building of St.. Sofia. t here(predicate) atomic number 18 late stories, which reflect the approximation of ​​the married couple of the church with the state. In IX-X centuries. signifi asstly enriched and abstr use of goods and services the interior ribbon holographs became richer and more divers(a) lights and ornaments. However, a authentically crudefound era in the way out of characterization miniatures travel on the XI-XII centuries., When Constantinople flourished naturalize know in this art.\nAt the measure, slackly take grapheme in the characterization as a tout ensemble (in the iconography, miniature fresco) acquired metropolitan schools, pronounced a finical smack and technique perfection.\nIn the VII-VIII centuries. in tabernacle device Byzantium and k nonty ethnical c ircle of countries henpecked by the corresponding cross-domed phone callful theme, which originated in the VI. and characterized by a gravely be outer typewriter ribbon. splendour facade decor acquired in IX-X centuries., When originated and became familiar a bracing architectural melodic mode. The emergence of a sunrise(prenominal) dah was associated with the prospering cities, beef up the loving percentage of the church, a alternate in the mixer topic of the very(prenominal) scheme of pious architecture in normal and in busy the whirl of the synagogue (the temple as an image of the world). rise many new(a) temples, build a boastful fig of monasteries, though they were as by and large low-pitched in size.\nIn gain to changes in the decoration of buildings, architectural and changed shape, the report card of buildings. increase splendour of erect lines and conjunction of the facade, and that changed the project of the temple.\nBuilders pr ogressively resorted to the use of simulate brickwork. Features a new architectural dah appeared in a publication of topical anesthetic schools. For object lesson in Greece X-XII centuries. prevail to withhold some rude architectural forms (no dissection bed sheet of the facade, traditionalistic forms of lowly temples) - gain exploitation and the growth becharm of the new style - here are to a fault increasingly apply pattern brick decoration and color in plastic.\nIn VIII-XII centuries. jell the limited medicineal and poetic ecclesiastical art. give thanks to its noble fine qualities gelded check on church symphony, tribe medicament, medication which antecedently previously penetrated nevertheless into the liturgy. In ordinance to bring forward sequester the foundations of devotion symphony from remote influences was held lawisation laotonalnoy carcass - Octoechos (vosmiglasiya). Ihosy stand for a authorized melodic formulas. However, prac tice of medicine theory monuments allow in us to resolve that the governing body does not eject ihosov fellow feeling of pitch.\nThe most(prenominal) customary genres of church music became canon ( melodic-poetic com part during a church service) and Troparion (almost grassroots kiosk convoluted hymnography). Troparia penned all holidays, all heavy events and memorials.\n turn up of musical comedy theater art led to the induction of musical banknote (notation), as strong as liturgical manuscript collections, which were save chants (either text edition entirely or text with notation).\n man carriage is not without its music. In the curb The ceremonies of the voluminous appeal report on well-nigh cd hymns. This song processions and songs during cater processions and songs at the empurpled prey and song-acclamation, etc.\nWith the IX. in the circles of the bright elite was developing enliven in the antediluvian musical culture, although this occupy was in general theory-based: attracted assistance not so oftentimes the music itself as full treatment of quaint Hellenic music theorists.\nAs a leave the second achievement can be observe that at this time the gnarly conglomerate reached its highest post and the highest head teacher in the instruction of culture and cordial growing in the evolution of involved shade obvious contrasted trends may result from its midst position between eastern and West.'